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Introduction
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01.Product Tour
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02.Colour & Noise Performance
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03.Motion & Sharpness Performance
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04.Low Light Performance
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05.Compression & Media
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06.Manual Controls
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07.Still Features
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08.Handling & Use
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09.Playback & Connectivity
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10.Audio & Other Features
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11.Panasonic HDC-HS60 Comparison
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12.Canon HF M31 Comparison
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13.JVC GZ-HM1 Comparison
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14.Conclusion
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15.Specs and Ratings
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16.Comments
JVC Everio GZ-HD620
Previous: Part 1
Product TourNext: Part 3
Motion & Sharpness Performance
Colour & Noise Performance Summary
Colour (10.57)
JVC camcorders often have the best colour accuracy amongst consumer models, and the GZ-HD620 follows this trend. In bright light, the camcorder managed a colour error of just 3.31 and a saturation level of 81.78%, both of which are excellent numbers. The HD620 even managed to render better colours than it's big sister the JVC GZ-HM1. (More on how we test colour.)
| Colour Accuracy Performance | |
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| Colour Test Chart (above), Colour Error Map (right) | |
| The JVC GZ-HD620 produced a colour error of 3.31 saturation level of 81.78% in our bright light colour testing. (The map on the right is a diagram of the colour error. The length and direction of each line indicates how the camcorder processed each particular colour.) | |
The Colour Error Map shown above tells us that the GZ-HD620 did a
very good job rendering blue and red tones accurately, but the
camcorder had some trouble with greens and yellows. Overall, we like
the way the camcorder captured colours very much, and we seem to say
that about most camcorders from JVC.
Unfortunately, the GZ-HD620 does not have any colour controls or colour
modes, so the only sample image we can show you is from our auto mode
footage (below).
| JVC GZ-HD620 Colour Modes | |
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| Auto | 100% Crop |
All of the camcorders we compared the GZ-HD620 to (see the images
below) produced pleasing colours in our bright light test. They also all
had a different way of rendering certain colours. Since colour quality depends more on
personal preference than anything else, we urge you to check out the
images below and the close-up comparisons that follow to get a better
idea of how each camcorder renders colours in bright light.
| JVC GZ-HD620 Colour Comparisons | |
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| JVC GZ-HD620 | Panasonic HDC-HS60 |
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| Canon HF M31 | JVC GZ-HM1 |
| Close-Up Colour Comparisons | |||||
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| Ideal |
JVC GZ-HD620 |
Panasonic HDC-HS60 |
Canon HF M31 |
JVC GZ-HM1 |
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| Red |
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| Ideal |
JVC GZ-HD620 |
Panasonic HDC-HS60 |
Canon HF M31 |
JVC GZ-HM1 |
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| Green |
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| Ideal |
JVC GZ-HD620 |
Panasonic HDC-HS60 |
Canon HF M31 |
JVC GZ-HM1 |
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| Blue |
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| Ideal |
JVC GZ-HD620 |
Panasonic HDC-HS60 |
Canon HF M31 |
JVC GZ-HM1 |
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Skin Tone 1 |
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| Ideal |
JVC GZ-HD620 |
Panasonic HDC-HS60 |
Canon HF M31 |
JVC GZ-HM1 |
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Skin Tone 2 |
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| Colour Score Comparison |
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Compare the JVC GZ-HD620 to the Panasonic HDC-HS60 |
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Compare the JVC GZ-HD620 to the Canon HF M31 |
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Compare the JVC GZ-HD620 to the JVC GZ-HM1 |
Noise (10.15)
The GZ-HD620 averaged 0.575% noise in our bright light test, and we
usually consider any noise levels around 0.5% as very good. The
Panasonic HDC-HS60 measured the highest noise, but still under 1%. All
camcorders we compared the HD620 to did well in this test. (More on how we test noise.)
| Noise Comparisons | |||
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JVC GZ-HD620 100% Crop |
Panasonic HDC-HS60 100% Crop |
Canon HF M31 100% Crop |
JVC GZ-HM1 100% Crop |
Usually, it is difficult to see any noise in bright light images
(this changes in low light), but the crops shown above provide us with
another use: determining sharpness and detail. The GZ-HD620 produced a
bold image, but it wasn't quite as sharp as what we saw from the Canon HF M31 or the JVC
GZ-HM1. Continue to the next section of this review (Motion &
Sharpness) to read more about our sharpness test.
| Noise Score Comparison |
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Compare the JVC GZ-HD620 to the Panasonic HDC-HS60 |
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Compare the JVC GZ-HD620 to the Canon HF M31 |
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Compare the JVC GZ-HD620 to the JVC GZ-HM1 |
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