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Introduction
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01.Product Tour
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02.Colour & Noise Performance
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03.Motion & Sharpness Performance
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04.Low Light Performance
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05.Compression & Media
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06.Manual Controls
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07.Still Features
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08.Handling & Use
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09.Playback & Connectivity
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10.Audio & Other Features
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11.Panasonic HDC-HS20 Comparison
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12.Canon HF M31 Comparison
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13.JVC GZ-HD620 Comparison
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14.Conclusion
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15.Specs and Rating
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16.Comments
Panasonic HDC-HS60
Previous: Part 3
Motion & Sharpness PerformanceNext: Part 5
Compression & Media
Low Light Performance Summary
Low Light Sensitivity (3.77)
The Panasonic HDC-HS60 didn't blow us away in our low light sensitivity test, but it did do a lot better than last year's HDC-HS20. The camcorder needed 15 lux of light to reach 50 IRE on our waveform monitor, an improvement that we are pleasantly surprised to see. Often, when a camcorder comes along with an increased pixel count we notice a dip in low light sensitivity. Thankfully, this was not the case with the HDC-HS60. (More on how we test low light sensitivity.)
| Required Illumination * |
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| * the lower the lux required, the better the performance |
Unlike most Panasonic camcorders, the HDC-HS60 does not include a
25p recording mode (called Digital Cinema mode by Panasonic). Panasonic
strangely eliminated this feature from its whole line of 2010 mid-range
HD models (the HDC-SD60 and HDC-TM55 don't have it either). Usually, a
24p frame rate gives the camcorder a better low light sensitivity and a
boost in low light performance overall (such was the case with the 24p
modes on the Canon
HF M31 and the Panasonic HDC-HS20). The big surprise was the JVC GZ-HD620, which scored better than any camcorder in this set.
| Low Light Sensitivity | ||||
| Mode | Panasonic HDC-HS60 | Panasonic HDC-HS20 | Canon HF M31 | JVC GZ-HD620 |
| Auto Gain, 60i | 15 Lux | 21 Lux | 17 Lux | 11 Lux |
Low Light Colour (6.79)
The HDC-HS60 had an average performance in our low light colour test. The camcorder managed a colour accuracy of 5.40 and a saturation level of around 60.57%. These numbers are decent, and they do represent an improvement over the HDC-HS20, but they aren't top-notch for an HD camcorder. JVCs GZ-HD620 was, again, the leader of the pack when it came to low light colour accuracy and saturation. (More on how we test low light colour.)
| Auto Low Light Colour Performance | |
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| Colour Test Chart (above), Colour Error Map (right) | |
| The Panasonic HDC-HS60 produced a colour error of 5.40 and a saturation level of 60.57% in our low light colour testing. (The map on the right is a diagram of the colour error. The length and direction of each line indicates how the camcorder processed each particular colour.) | |
If you look at the comparison images below, you can see that the HDC-HS60 has a much better low light image than the HDC-HS20. The HS60 does particularly better when it comes to saturation in low light. The Canon HF M31 has a very saturated image that looks similar to the HDC-HS60, although the Canon's image is a bit darker. JVC continues to outshine its competitors, with a colour error of 2.8 and a very impressive 88% saturation level.
| Low Light Comparison | |
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| Panasonic HDC-HS60 | Panasonic HDC-HS20 |
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| Canon HF M31 | JVC GZ-HD620 |
Even though the colour accuracy numbers for the HS60 weren't great
in low light, we are pleased with the camcorder's performance. Its
saturation level was relatively high, which helped the camcorder
produce strong, vivid colours in our low light test. As you'll see in
the next section of this review, the HDC-HS60 also kept the noise
levels down in our low light test while still retaining a fairly sharp
image.
| Low Light Colour Score Comparison | |
Compare the Panasonic HDC-HS60 to the Panasonic HDC-HS20 |
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||
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Compare the Panasonic HDC-HS60 to the Canon HF M31 |
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Compare the Panasonic HDC-HS60 to the JVC GZ-HD620 |
Low Light Noise (8.99)
The HDC-HS60 averaged 1.335% noise in our low light test, which is higher than last year's HDC-HS20. The thing to look at, however, is how much sharper the HS60's low light image is compared to the HS20 and the JVC GZ-HD620. Many times we'll see a camcorder that measures a very low amount of noise, but its image has almost no detail—this is the case with the Panasonic HDC-HS20 and the JVC GZ-HD620. (More on how we test low light noise.)
| Noise at 60 lux Auto | |||
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| Panasonic HDC-HS60 100% Crop |
Panasonic HDC-HS20 100% Crop |
Canon HF M31 100% Crop |
JVC GZ-HD620 100% Crop |
The HDC-HS60 arguably captured a sharper image than the Canon HF M31 in our low light test, but it's difficult to pick a clear winner. What is obvious, though, is that the HDC-HS60 had more noise than the Canon HF M31, and you can even see this noise in the images above.
With its decent scores across the board, the HDC-HS60 is one of the best mid-range camcorders we've tested in low light. Its noise levels were never too high and the camcorder retained strong colour depth and detail in all of our low light tests.
| Low Light Noise Score Comparison | |
Compare the Panasonic HDC-HS60 to the Panasonic HDC-HS20 |
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Compare the Panasonic HDC-HS60 to the Canon HF M31 |
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Compare the Panasonic HDC-HS60 to the JVC GZ-HD620 |
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