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Introduction
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01.Product Tour
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02.Colour & Noise Performance
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03.Motion & Sharpness Performance
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04.Low Light Performance
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05.Compression & Media
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06.Manual Controls
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07.Still Features
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08.Handling & Use
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09.Playback & Connectivity
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10.Audio & Other Features
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11.Panasonic HDC-HS20 Comparison
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12.Canon HF M31 Comparison
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13.JVC GZ-HD620 Comparison
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14.Conclusion
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15.Specs and Rating
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16.Comments
Panasonic HDC-HS60
Previous: Part 5
Compression & MediaNext: Part 7
Still Features
Manual Controls Summary
Auto Mode (10.95)
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| The iA button puts the HS60 into auto mode. |
We're happy to see that Panasonic kept around its Intelligent Auto (iA) control system on the HDC-HS60. With the iA controls you can run the camcorder in a fully automated mode, as well as implement features like AF/AE tracking, face detection, and intelligent contrast control. Panasonic didn't make too many improvements with these controls, but it did add face recognition and name display options to the camcorder's face detection setting.
The iA controls are designed well to work with the camcorder's touch-screen interface. The AF/AE tracking requires a simple tap of the screen for the camcorder to track your subject (AF/AE will focus and expose the tracked subject as it moves throughout the frame). The camcorder can maintain a track on a subject that leaves the frame, but only if the subject isn't gone for very long.
We're happy with all of the HDC-HS60's automatic controls with the exception of white balance. The camcorder often had trouble white balancing properly when we shot under halogen bulbs. Outdoors the auto white balance appeared to work fine, but we'd recommend using a manual white balance when you shoot indoors if you can.
| Panasonic HDC-HS60 | Panasonic HDC-HS20 | Canon HF M31 | JVC GZ-HD620 | |
| Dedicated Auto Mode | Yes | Yes | Yes (Dual Shot mode) |
Yes |
| Auto Focus | Normal AF | Normal AF | Normal/Instant AF | Normal AF |
| Spot/Touch Focus | No | No | Yes | No |
| AF/AE Tracking | Yes | Yes | Yes | No |
| Face Detection | Yes (with face recognition and name display) |
Yes | Yes | Yes |
| Backlight Compensation | Yes | Yes | Yes | Yes |
| Low Light Modes | Colour Night Record | MagicPix | Low Light scene mode |
Night Eye Scene Mode |
| Auto Slow Shutter | Yes | Yes | Yes | Yes (AGC auto) |
| Scene Modes | Sports, Portrait, Spotlight, Snow, Beach, Sunset, Fireworks, Scenery, Low Light, and Night Scenery | Portrait, Snow, Sunset, Sports, Spotlight, Beach, Fireworks, Landscape, and Night | Portrait, Sports, Night Scene, Snow, Beach, Sunset, Low Light, Spotlight, Fireworks, Underwater, Surface | Night Eye, Night, Portrait, Sports, Snow, Spotlight |
| Other Auto Controls | Intelligent Scene Selection | Intelligent Scene Selection | Smart Auto (scene selection) | Auto Record |
Zoom (7.15)
The main zoom control for the HDC-HS60 is the camcorder's top-mounted zoom toggle. The toggle is fairly basic and anyone who has used a traditional camcorder before should have no trouble controlling it. This toggle offers variable zoom speed, which means the zoom will be faster or slower depending on how far you slide the toggle.
The HS60 also has two secondary zoom buttons located on the LCD panel. These buttons have been slightly improved over last year's models from Panasonic (they have a raised design that makes them easier to push), but we're still not crazy about them. Zooms are performed at a constant and fairly slow speed when these buttons are used. Whether you use the buttons on the LCD panel or the regular zoom toggle, a small bar and numerical zoom ratio display will appear on the screen during your zoom.
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| The zoom toggle is also used to adjust volume during playback. |
Zoom Ratio (8.71)
The HDC-HS60 has a 25x optical zoom lens, which is very impressive for a compact HD camcorder. The HS60 also has a 35x intelligent zoom, which is different than a regular digital zoom in that it shouldn't result in too much image degradation. We looked at various footage shot using the 35x intelligent zoom and we must say it looks rather good. Still, if you want the best possible image quality you should stick to the 25x optical zoom only.
The camcorder does have two digital zoom settings—60x and 1500x—but using these zoom options will severely degrade the image quality of your recorded video.
| Zoom Comparisons | ||
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| Wide Angle | Mid Zoom | 25x Zoom |
Focus (4.5)
The HDC-HS60 allows you to adjust focus manually, but the system is poorly implemented. We have never thought too highly of any manual control that must be adjusted using a touch-screen interface. The HDC-HS60, like most mid-range camcorders, has no control dial or ring—all manual controls are set using the touch-screen.
The manual focus is very basic, but we're upset that Panasonic doesn't include any numeric display of focal distances while you adjust the focus. You simply push buttons on the LCD (MF+ or MF-) until you get your desired focus. Panasonic does include a blue peaking feature to assist with focusing, but it got rid of its magnification assist that was featured on last year's HDC-HS20. Frankly, we think the peaking is slightly more helpful, but we would have liked to see both included on the HS60.
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| Manual focus adjustment on the Panasonic HDC-HS60 |
| Manual Focus Comparisons | |
| Panasonic HDC-HS60 Control Type: touch-screen Focus Assist: peaking |
Panasonic HDC-HS20 Control Type: touch-screen Focus Assist: magnification |
| Canon HF M31 Control Type: joystick Focus Assist: magnification |
JVC GZ-HD620 Control Type: Laser Touch strip Focus Assist: peaking |
Exposure (6.6)
Adjusting basic exposure on the HDC-HS60 is more of a pain than it should be. Instead of the exposure setting being an easy-to-access option on the camcorder's Function Menu, Panasonic buries the setting on the sixth page of the Record Setup Menu (under the Picture Adjust option). This means every time you want to adjust basic exposure (labeled as brightness in the menu) you have to wade through a number of different menu screens just to get to the option. It is far easier and quicker to adjust the aperture (iris) instead.
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Aperture (9.5)
The HDC-HS60 has full manual aperture controls, but the option is labeled as iris control on the camcorder. The only strange thing about adjusting the aperture (iris) on the HS60—and every consumer camcorder from Panasonic for that matter—is that there are multiple increments in between each f-stop that the camcorder displays. This means you can press the buttons to change the aperture two or three times before the displayed f-stop actually changes. We don't like this setup as it can create confusion as to whether any adjustment has actually been made, but we give Panasonic kudos for including so many f-stop increments.
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Shutter Speed (10.0)
The HDC-HS60 has the same shutter speed options as last year's HDC-HS20, which is to say quite a few different settings. The only downside to the HS60's manual shutter speed options is that the camcorder doesn't offer many slow shutter speeds below 1/60 of a second. You can set the shutter speed to 1/30 of a second manually, but you may only do so if the auto slow shutter feature is turned on.
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White Balance (9.0)
The HDC-HS60 has a few white balance preset options as well as a manual setting that is easy to use (it's the same "one-push" white balance setting that is found on most consumer camcorders). We don't like the icon-only display used by Panasonic when you select from the HS60's white balance presets, however, as some of them are a bit difficult to understand. Descriptive text is always a better idea than an inscrutable icon.
You can also make manual adjustments to the colour tone on the HDC-HS60 by using the WB Adjust option (found in the Picture Adjust submenu). The WB Adjustment goes from -5 to +5 with the negative values producing a redder tone and the positive values giving the image a blue tint.
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Gain (4.0)
Manual gain control is tied to aperture control on the HDC-HS60 (as it is with all Panasonic camcorders). So, to adjust gain you must first open the aperture all the way. This limits the flexibility of controlling gain on the camcorder, but it is still a good feature to have. As we saw with aperture control, the HDC-HS60 appears to have multiple increments of gain adjustment located in between the displayed increment on the camcorder.
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Colour & Image Controls (7.5)
| Colour/Image Control | Description |
| Soft Skin Mode | This mode will soften skin tones, although it does so very subtly. |
| Digital Cinema Colour | Allows the camcorder to record using the xvYCC expanded colour gamut. You'll only notice a difference if you view the video on an xvYCC compatible television. |
| Intelligent Contrast | Corrects exposure levels on images with both dark and overexposed portions. |
| Picture Adjust | This submenu has options for adjusting sharpness, colour, brightness (exposure) and WB adjust. The menu is buried so it takes a little while to get to it, but the options located here can be very useful. |
Other Manual Controls (2.0)
| Control | Description |
| Guide Lines | There are three options for displaying guide lines on the HDC-HS60: as three horizontal lines, a 9-sector grid, or a 60-sector grid. The lines assist with framing only and they won't end up in your recorded footage (although you can turn them on during playback if you wish). |
| Tele Macro | Allows the camcorder to focus on extremely close-up subjects. The focal distance is roughly 1cm to 1m, and the camcorder zooms in fully when the feature is engaged. |
| Manual Controls Summary | ||||
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| Control | Panasonic HDC-HS60 | Panasonic HDC-HS20 | Canon HF M31 | JVC GZ-HD620 |
| Focus | Yes | Yes | Yes | Yes |
| Exposure | Yes | Yes | Yes | Yes |
| Aperture | Yes | Yes | Aperture-priority | No |
| Shutter Speed | Yes | Yes | Shutter-priority | Shutter-priority |
| White Balance | Yes | Yes | Yes | Yes |
| Gain | Yes (with aperture opened fully) | Yes (with aperture opened fully) | No | Auto Gain Control on/off |
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