-
Introduction
-
01.Product Tour
-
02.Colour & Noise Performance
-
03.Motion & Sharpness Performance
-
04.Low Light Performance
-
05.Compression & Media
-
06.Manual Controls
-
07.Still Features
-
08.Handling & Use
-
09.Playback & Connectivity
-
10.Audio & Other Features
-
11.3D Features
-
12.Canon HF S21 Comparison
-
13.Sony HDR-CX550V Comparison
-
14.Panasonic HDC-TM700 Comparison
-
15.Conclusion
-
16.Specs and Ratings
-
17.Comments
Panasonic HDC-SDT750
Previous: Part 7
Still FeaturesNext: Part 9
Playback & Connectivity
Handling & Use Summary
• The HDC-SDT750 handles exactly like the Panasonic HDC-TM700 when its 3D conversion lens is not attached.
• With the conversion lens, the camcorder becomes heavier, more difficult to use, and the calibration setup can be confusing.
Ease of Use (6.5)
As a 2D camcorder, the HDC-SDT750 is fairly easy to use—really no different than the HDC-TM700 before it. The camcorder has a touchscreen interface, a good instruction manual, and an onscreen tool tip window that provides extra information about menu options. The menu is simple to navigate, but things do get confusing with the multiple menu setups on the camcorder. There's the main menu and there's also the function menu on the bottom of the LCD. Add the lens ring controls to the mix and you've got a bit of a confusing situation, but it isn't too difficult to figure out. We do wish Panasonic would provide better icons (or text) on the function menu, though, as the current icons are often very difficult to figure out.
When shooting 3D content with the camcorder things are actually a lot more difficult. For starters, you must calibrate the 3D conversion lens, which is a process unlike anything else we've seen on a consumer camcorder. Even attaching the conversion lens to the front of the camcorder can be a fairly difficult process due to the small filter thread provided on the front of the HDC-SDT750 (we had to try a few times before it fit snugly).
After attaching the 3D conversion lens, a set of calibration instructions automatically appears on the screen. The instructions provide a good amount of information, and we like their step-by-step nature, but some of the wording (particularly in the final instruction) is a bit confusing. Further instruction and tips on 3D shooting can be found in the camcorder's manual.
Our point is, if you're going to shoot 3D with the SDT750, be prepared to spend some time with the camcorder and figure out how to work its conversion lens and the 3D settings. Many novice camcorder users don't like to see the word "calibration," but you should expect to see it a lot if you plan on shooting in 3D with the HDC-SDT750.
![]() |
![]() |
|
| The menu setup is straightforward... | ... and the info box provides helpful notes. |
Handling (7.85)
As a regular camcorder, the HDC-SDT750 handles in an identical manner to the Panasonic HDC-TM700. The two camcorders have the same dimensions and nearly the same weight (the TM700 is five grams heavier because of its internal memory). They have the same hand straps, the same 3-inch LCD, and the same touchscreen interface. So, if you want to read about how the SDT750 handles as a regular 2D camcorder, check out the handling section of our HDC-TM700 review here.
![]() |
| The camcorder is a bit unbalanced with its 3D conversion lens attached. |
Attaching the 3D conversion lens to the HDC-SDT750 turns the camcorder into a completely different device. It nearly doubles in size and its weight increases drastically. We also found the camcorder to be a bit heavier up front witht he lens attached, which can lead to dipping if your hand gets tired. This is where a better hand strap would come in... err... handy.
![]() |
| From the back, the HDC-SDT750 looks like a regular camcorder. |
Using the 3D conversion lens is the most difficult thing you can do with the HDC-ST750. That doesn't mean it is a huge challenge to figure out, it is just a lot more confusing and awkward than anything else on the camcorder. Screwing in the conversion lens can be annoying (it is difficult to match the screw threads), calibrating the lens is a pain, and using the camcorder to shoot 3D content hand-held is definitely a nuisance. The camcorder has no manual controls when the 3D conversion lens is attached (except white balance), and you cannot even zoom when you shoot 3D content. In short, you are extremely limited as to how you can shoot with the 3D conversion lens attached.
![]() |
| The 3D conversion lens has a set of calibration controls on its top. |
We recommend using a tripod to shoot 3D video with the HDC-SDT750 when possible. The camcorder is easier to use this way, you'll have less trouble calibrating the conversion lens, and your 3D videos will look better. In our testing, we found that 3D content looked incredibally disorienting when we moved the camcorder around a lot and the 3D effect looked far less impressive. The HDC-SDT750 was at its best when we held the camcorder still (or mounted it on a tripod) and shot subjects in 3D that were 4 to 10 feet away from the lens.
Stabilization (11.9)
Panasonic camcorders have done a very good job in our stabilization test for the past few years and the HDC-SDT750 kicks things up a notch with its improved Hybrid OIS feature. The camcorder employs an optical image stabilization system with three settings: regular, hybrid, and a powered IS feature that requires you to hold down a button on the LCD to activate. The camcorder did an excellent job in our test with all three settings. (More on how we test stabilization.)
Before you look at the numbers from our test, keep in mind that the powered IS feature requires you to hold down a button on the LCD during the duration of your recording. For this reason we didn't use the numbers we got from that test because the mere fact that our hands were touching the camcorder while it was on our stabilization rig skewed our results. Still, the numbers do provide you with some good information (and it does more or less reflect real-world use).
In our low shake test, we found the SDT750 to reduce shake by 77% with the camcorder's regular stabilization, 76% with Hybrid OIS, and 85% with the powered IS feature. These numbers are very similar to how the Panasonic HDC-TM700 performed in this test.
With our high shake test we saw a strong improvement on the HDC-SDT750 (compared to previous Panasonic models). The camcorder's regular OIS reduced 85% of the shake, while the Hybrid OIS and powered IS reduced 82% and 83% respectively. What these numbers tell us is that in high shake it really doesn't matter what stabilization feature you use—they are all equally effective (and are all extremely good at reducing shake).
| Panasonic HDC-SDT750 Stabilization Effectiveness |
![]() |
|
77% correction at low shake (above) 85% correction at high shake (below) |
![]() |
You can use the stabilization feature on the HDC-SDT750 when shooting 3D content with the camcorder. Unfortunately, our testing showed the stabilization system didn't function very well in this setting. It still reduced the shakiness of the image, but it was nothing like what we saw in our test results shown above. Of course, the camcorder is much heavier and weighted far differently when its 3D conversion lens is attached, so those variables had a strong impact on our test.
The clip above shows the HDC-SDT750's stabilization system in action. Watch the vidoe to get a better idea as to how much the camcorder reduced shake during recording.
| Stabilization Score Comparison |
|
Compare the Panasonic HDC-SDT750 to the Canon HF S21 |
![]() |
||
|
Compare the Panasonic HDC-SDT750 to the Sony HDR-CX550V |
|
|
Compare the Panasonic HDC-SDT750 to the Panasonic HDC-TM700 |
Portability (7.55)
Without its 3D conversion lens, the HDC-SDT750 has the same dimensions and is only 5g lighter than the Panasonic HDC-TM700. This makes it one of the most compact high-end camcorders on the market. Of course, this comes at the cost of having a smaller LCD than the competition.
Then there's the case of the 3D conversion lens, which increases the weight of the HDC-SDT750 by roughly 50% and makes the camcorder a whole lot longer. The conversion lens itself has dimensions of 78 x 59 x 97, which is larger than most ultracompact camcorders on their own. Our point is, if you're going to be shooting 3D with the HDC-SDT750 don't expect the camcorder to be all that portable. The conversion lens morphs the camcorder from one of the most compact high-end options, to one of the bulkiest and unbalanced models we've seen.
| Panasonic HDC-SDT750 | Canon HF S21 | Sony HDR-CX550V | Panasonic HDC-TM700 | |
| Primary Media | SD/SDHC/SDHXC memory card | 64GB internal flash memory | 64GB internal flash memory | 32GB internal flash memory |
| Secondary Media | None | 2x SD/SDHC card slots | SD/SDHC/Memory Stick PRO Duo card slot | SD/SDHC memory card |
| Weight |
435g (with battery) 630g (w/battery & 3D converter) |
520g (with battery) | 480g (with battery) | 440g (with battery) |
| Size |
66 x 69 x 138mm (body only) 78 x 69 x 235mm (with 3D converter) |
75 x 74 x 148mm | 66 x 74 x 143mm | 66 x 69 x138mm |
Battery Life (5.35)
The HDC-SDT750 lasted for 107 minutes in our battery life test, which is identical to the amount of time the Sony HDR-CX550V and Panasonic HDC-TM700 lasted in this same test. The Canon HF S21 was the big loser in this test, lasting close to 30 minutes less than the other three camcorders in this set. (More on how we test battery life.)
All of these models, the HDC-SDT750 included, have open battery compartments. So, if you'd like to purchase a larger battery that will allow for longer record times, you can easily do so (but those extra batteries can be pricey).
| Battery Life Comparisons |
![]() |
![]() |
| The HDC-SDT750 with its provided battery. |
LCD & Viewfinder (9.58)
The HDC-SDT750 has the same 3-inch LCD as the Panasonic HDC-TM700 and the HDC-HS700 that came before it. While the 3-inch screen is an improvement over last year's Panasonic camcorders, it is still a good half-inch smaller than what you'll find on the Canon HF S21 and Sony HDR-CX550V (as well as the flagship model from Samsung, the HMX-S16). We'd like to see Panasonic bump up the size of its LCD to 3.5 or 4 inches on its next high-end model.
![]() |
|
The 3-inch LCD is a bit smaller than what you get on flagship models from other manufacturers. |
The SDT750 does have a viewfinder, which is a feature that is often found on flagship models, but is rare to see anywhere else. The viewfinder is small, uncomfortable, and does not angle upwards. It does extend, however, which helps the viewfinder accomodate for larger battery packs that may be loaded beneath it, and it has a diopter adjustment dial.
![]() |
| The viewfinder can extend out from the camcorder a tiny bit. |
| Panasonic HDC-SDT750 | Canon HF S21 | Sony HDR-CX550V | Panasonic HDC-TM700 | |
| LCD Size | 3 inches | 3.5 inches | 3.5 inches | 3 inches |
| LCD Resolution | 230,400 pixels | 922,000 pixels | 921,000 pixels | 230,400 pixels |
| Touchscreen | Yes | Yes | Yes | Yes |
| Viewfinder | Yes | Yes | Yes | Yes |
| Panasonic HDC-SDT750 Comparisons | ||
|
|
|
| Canon HF S21 | Sony HDR-CX550V | Panasonic HDC-TM700 |
Latest News & Reviews
-
29-Apr-2011
Panasonic HDC-SDT750 3D Camcorder Review
With the HDC-SDT750, Panasonic is bringing 3D videography to the masses. It is definetly not cheap, but it is still comparable in cost to other flagship models. Read More...
-
10-Mar-2011
Kodak Playsport Zx3 Camcorder Review
The Playsport Zx3 is an exciting ultracompact camcorder from Kodak that combines a Full HD recording capability with a body that is waterproof up to 3 meters. The camcorder’s durable construction, and did surprisingly well in our video testing. Read More...
Top Rated Camcorders
-
1
Panasonic HDC-SDT750
With the HDC-SDT750, Panasonic is bringing 3D videography to the masses. It is definetly not cheap, but it is still comparable in cost to other flagship models. Read full 17-part review
TypeConsumer -

£764.952Panasonic HDC-TM700
As the update to Panasonic's 300-series, the expectations for the Panasonic HDC-TM700 are high.. Read full 16-part review
£764.95TypeConsumer -
3
Canon Legria HF G10
With the Legria HF G10, Canon's latest flagship camcorder, the company decided to use a completely different image sensor with a smaller amount of pixels. If you check out the results from our performance testing, you'll quickly see the change paid off—particularly in low light situations. Read full 16-part review
TypeConsumer -
4
JVC Everio GZ-HM1
Other than a new silver paint job, JVC's newest flagship model, the Everio GZ-HM1, looks exactly like its predecessor, the GZ-HM400. JVC's biggest alteration comes in the form of a back-illuminated CMOS sensor that did wonders in improving the low light performance of this new model. Read full 16-part review
TypeConsumer -

£966.505Canon Legria HF S21
Canon's new flagship model, the HF S21, has a lot of exciting new features and controls. Its 64GB of internal flash memory, two SD/SDHC memory card slots, and the touchscreen LCD make the HF S21 one of the most appealing camcorders of 2010. Read full 17-part review
£966.50TypeConsumer
Features
-
Video Editing Software For Your Camcorder
We take an in-depth look at the most common video editing software packages, including the basic programs that come packaged with your camcorder. Read More...
-
Camcorderinfo.co.uk Select Awards 2009
It’s time once again for our annual CamcorderInfo select awards. Each year, we honor the camcorders that really rise above the rest during our review process. The camcorders you’ll read about below have all survived a battery of tests—tests that are designed to give every camcorder fair and equal treatment. These models have also been carefully compared to the competition. Read More...











