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Panasonic HDC-TM700

Camcorder Review

Previous: Part 6

Manual Controls

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Handling & Use
Panasonic HDC-TM700
Part 7

Still Features Summary



• The HDC-TM700 has a decent set of still features, but photos taken with the camcorder weren't all that impressive.
• Panasonic boasts a 14.2-megapixel capability on the HDC-TM700, but this number is interpolated. The total pixel count of the camcorder is actually 9.15 megapixels.
• The camcorder has a built-in flash and photos can be taken in three different aspect ratios (3:2, 4:3, 16:9).
• The camcorder did well in our still colour and noise test, but it disappointed us with a low still sharpness score.

Still Features (12.71)

Panasonic advertises the HDC-TM700 as being able to capture 14.2-megapixel still photos. While the camcorder can take photos at a 4608 x 3072 resolution, these images aren't really comprised of 14.2 megapixels. The camcorder's total pixel count is just 9.15 megapixels, which means any photo taken with a higher pixel count is interpolated (the image is just made to be a larger size). Still, having a total pixel count of 9.15 megapixels is not too shabby for an HD camcorder, although most point-and-shoot digital cameras have somewhere between a 10 and 12-megapixel capability.

The flash for capturing still photos with the Panasonic HDC-TM700   The control for switching to photo mode on the Panasonic HDC-TM700
The built-in flash has a variety of settings.   The mode dial lets you switch between
photo, video, and playback modes.

So, in reality, the largest non-interpolated images that the HDC-TM700 can capture have a 3600 x 2400 resolution (roughly 8.6 megapixels). The camcorder can take photos in a wide variety of sizes, and it can capture still images in three aspect ratios—4:3, 3:2, and 16:9. In addition to these size options, the camcorder has a built-in flash that has a number of intensity settings as well as red-eye reduction.

You can take photos with the TM700 in video mode, but you have more options when you switch the camcorder over to its dedicated still image mode. One new feature worth noting is the HDC-TM700's Smile Shot setting, which will automatically snap a photo when a person within the frame gives a big smile. This feature is identical to what Sony offers on the HDR-XR520, although Sony allows you to set the smile detection sensitivity. The complete list of the TM700's still features, along with those of its comparison models, is listed in the table below.

  Panasonic HDC-TM700 Canon HF S21 Sony HDR-XR520 Panasonic HDC-HS300
Maximum Native Resolution 4:3 – 3200 x 2400
3:2 – 3600 x 2400
16:9 – 3840 x 2160
4:3 – 3264 x 2456
16:9 – 3264 x 1840
4:3 – 2880 x 2160
16:9 – 1920 x 1080
4:3 – 3264 x 2448
3:2 – 3264 x 2176
16:9 – 3328 x 1872
Quality Fine, Normal Super Fine, Fine, Normal None Fine, Normal
Flash Yes Yes Yes Yes
Simultaneous Video/Still Yes Yes Yes Yes
ISO No No No No
Continuous Shot Yes (50 fps) Yes (3 or 5 photos/sec) No Yes (25fps or 50fps)
Bracketing No Yes No No
Self-Timer Yes Yes Yes Yes
Smile Shutter Yes No Yes No

Still Colour (13.41)

The HDC-TM700 put up very strong numbers in our still colour test. The camcorder registered a colour error of 2.61 and a saturation level of 100.9%—both of which are better numbers than the TM700 managed in our video testing. Most high-end HD camcorders do really well on this test, though, so the HDC-TM700's performance doesn't stand too far out from the crowd. (More on how we test still colour.)

The still photography colour error map: the length and
direction of each line indicates how the camcorder
processed each particular colour.

The weakest camcorder in this test was the Canon HF S21, but even its still image colours had above-average accuracy. We like the saturated tones produced by the two Panasonic camcorders, and the Sony HDR-XR520's image looks very similar. While all of these camcorders shown below produced above-average still photos, their images are still not as good as what you'd get with a decent digital camera.

Panasonic HDC-TM700 Still Colour Comparisons
Panasonic HDC-TM700 Canon HF S21
Sony HDR-XR520 Panasonic HDC-HS300
Still Colour Score Comparison the Canon HF S21 Compare the
Panasonic HDC-TM700
to the Canon HF S21
still color score comparison chart
the Sony HDR-XR520 Compare the
Panasonic HDC-TM700
to the Sony HDR-XR520
the Panasonic HDC-HS300 Compare the
Panasonic HDC-TM700
to the Panasonic HDC-HS300

Still Noise (4.85)

The HDC-TM700 wasn't fantastic in our still noise test, but it's results weren't too bad either. The camcorder averaged 0.81% noise in this test, which is roughly the same amount of noise we measured on the Sony HDR-XR520 and Panasonic HDC-HS300. The Canon HF S21 was the worst performer in this test, coming in with around 1.07% noise. (More on how we test still noise.)

Still Noise Score Comparison the Canon HF S21 Compare the
Panasonic HDC-TM700
to the Canon HF S21
still noise score comparison chart
the Sony HDR-XR520 Compare the
Panasonic HDC-TM700
to the Sony HDR-XR520
the Panasonic HDC-HS300 Compare the
Panasonic HDC-TM700
to the Panasonic HDC-HS300

Still Sharpness (3.24)

The HDC-TM700 ultimately disappointed in our still sharpness test. At best, the camcorder earned a horizontal sharpness of 1749 lw/ph with 3% oversharpening. The corresponding vertical sharpness was even lower on the HDC-TM700, coming in at 917 lw/ph with 20.8% undersharpening. These aren't good results compared to what the Canon HF S21 was capable of, and they show no improvement over last years HDC-HS300 (the HS300 actually scored a little higher than the TM700). (More on how we test still sharpness.)

Still Sharpness Score Comparison the Canon HF S21 Compare the
Panasonic HDC-TM700
to the Canon HF S21
still sharpness score comparison chart
the Sony HDR-XR520 Compare the
Panasonic HDC-TM700
to the Sony HDR-XR520
the Panasonic HDC-HS300 Compare the
Panasonic HDC-TM700
to the Panasonic HDC-HS300
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Panasonic HDC-TM700
Camcorder Review

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Manual Controls

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Handling & Use