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Latest Reviews

Sony HDR-XR520VE versus Panasonic HDC-HS300
• The Panasonic outperforms the Sony in everything except noise and stabilisation
• It is especially strong in low light, with superior sensitivity and optional 25p recording
• Both are excellent manual control camcorders: the Sony has WB/AE shift and a more versatile control dial, but no aperture, shutter speed, or gain control
• The Panasonic is more user friendly, with fun iA technologies like AF/AE Tracking and more intuitive menus
Canon HF S100 Comparison (Page 13 of 17) Sanyo VPC-HD2000 Comparison

The Panasonic HDC-HS300 is a tough camcorder to beat. In video performance alone, the Panasonic outstrips the Sony in everything but noise. Colour accuracy and sharpness are particularly impressive. It's also a clear winner in low light performance, producing much higher sensitivity and the option of recording in 25p. While the Sony's optical image stabilisation is superior, the Panasonic's stabilisation is also quite good (both of these camcorders are head and shoulders above the rest). Still image performance is a bit better on the Sony, but that is not a very compelling reason to purchase a high definition camcorder these days.

For manual control users, the Panasonic offers quite a few options, including independent aperture, shutter speed, and gain control—three features conspicuously absent on the XR520. There is also a viewfinder for more accurate image adjustment and a great big manual control lens ring to make focus a dream (especially when paired with a basic focus assist tool). The one disappointment is that the ring can only be used for zoom and focus when the LCD panel is closed. Other features are only available when you are using the viewfinder. That makes the Sony's control dial a bit more versatile.

The Sony does offer some features that make operation simpler, such as the slick touch screen spot metering and spot focus. But with Panasonic's move to the touch screen, you can do spot metering/focus and take advantage of all the iA features Panasonic has to offer, such as AF/AE tracking. Finally, the Panasonic is a lot more accessible to beginners, with more intuitively organized menus and tools to help guide the first-time camcorder user.

Unless there are specific details about the Sony that really capture your attention (like GPS, a 240GB hard drive, or standard definition compression options), the Panasonic seems to be a clear winner.

  Comparison Specs
 
  Sony HDR-XR520VE Panasonic HDC-HS300
Price £1,199.99 £1,039
Primary Recording Media 240GB internal hard drive 32GB of built-in flash memory
Secondary Recording Media Memory Stick Pro Duo card SD/SDHC memory card
Image Sensor 1/2.88-inch CMOS Three 1/4.1-inch CMOS
Effective Pixel Count 4.15-megapixels (video)
6-megapixels (stills)
2.07-megapixels (x 3) video
2.32-megapixels (x 3) stills
Mic Input Yes, 3.5mm Yes, 3.5mm
LCD 3.2-inch with
921,000-pixel resolution
2.7-inch with
230,400-pixel resolution
Viewfinder Yes Yes
Weight 590g (including battery) 445g (including battery)
Dimensions 71 x 75 x 137 mm
72 x 70 x 141mm
HD Yes Yes
Frame Rates 1080/50i 1080/50i, 25p
(digital cinema mode)
Compression AVCHD AVCHD
Maximum Bitrate 16Mbps 17 Mbps
Optical Zoom 12x 12x
Stabilisation Optical (with two settings:
standard and active)
Optical

 

  Scores
  Sony HDR-XR520VE Panasonic HDC-HS300
Colour 7.68 8.01
Noise 6.21 11.89
Video Sharpness 10.59 10.97
Low Light Sensitivity 3.77 8.38
Low Light Colour 6.92 4.42
Low Light Noise 11.02 11.3
Still Sharpness 6.97 4.47
Battery Life 92 minutes 105 minutes

 

Sony HDR-XR520VE Colour Comparisons
Sony HDR-XR520VE Panasonic HDC-HS300

 

Low Light Sensitivity
Mode Sony HDR-XR520VE Panasonic HDC-HS300
Auto Gain 16 Lux 8 Lux
25p Mode N/A 8 Lux

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